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  • home
    • my sketchbook
  • university work
    • second semester
    • deck of cards
    • the Cat
    • can designs
    • lino printing
    • making a book
    • summer/Christmas break
    • History
    • Science
    • Society politics and culture
    • conceptual illustration project
    • Book illustration
    • Critical illustrator
    • selection box
    • urban sketching
    • The drawing module
    • analogue
    • digital
    • concepts
  • stamp project
  • 2D
  • 3D
  • technical skills
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YOUR CART

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BOOK ILLUSTRATION

creating a book cover, feature illustration and a spot illustration for a collection of "man in black" stories.
You will be provided with an MP3 recording of one of the 'Man in Black' plays and are asked to produce two illustrations to accompany the written version of the play along with a front cover (and spine) design for the book 'The Man In Black: Collected Stories'. The cover will be printed with two spot colours on a cloth binding (you may specify the colours). The cover will be 165mm wide X 231mm high. The spine will be 30mm wide X 231mm high.
One illustration is a full-page, full bleed image which should be presented as follows: CMYK - image size 160mm wide X 226mm high at a resolution of 300 dpi. Note: this dimension includes a 3mm bleed around all four sides.
The second image is a black and white chapter heading (the title of the play) that is aligned to the body of the justified text. As such it must occupy an area of 105mm wide X 50mm high. Note: there is no requirement that it has to have a crisp, rectangular edge so you may treat it as a vignette (see image above for an example). The final artwork should be presented as a 300 dpi, grayscale image. N.B. You may use fake 'body copy' to simulate the words on your double-page spread.

Research


The Folio Society
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Folio society books are books that are specially crafted illustrated editions of famous and well known books.

Folio is an employee-owned, independent publisher that has thrilled and delighted a band of dedicated readers since 1947. Today, from our workspace in the heart of London’s vibrant Shad Thames, we continue that tradition by crafting exquisite, illustrated editions for book lovers of all ages.We publish books that have changed the world, books that entertain us, books that blow our minds … books that have stitched themselves into who we are. Which is why every Folio book is a labour of love, expertise and, frankly, obsession.Our team of editors, designers and artisans will do whatever it takes to give each title everything it deserves, from outstanding intellectual firepower to extraordinary craftsmanship. Available exclusively from Folio through our website, for book lovers around the world, every book we make is a miniature work of art and we take pride in every single one.- folio society about us text extract
My own special edition cover books.
personally I am someone who reads a lot in my spare time and own a couple special edition books with a similar stout and style of the folio society, my favourite of those would be an old leather bound Grimes fairytale book.
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ARTIST INSPIRATIONS 

Dave Mckean
I really enjoy looking ad Dave Mckeans creative process and final outcomes, his way of layering paints and use of colour is something I am incredibly inspired by, mixing both traditional and digital at in his artworks.
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Shaun Tan
Shaun Tan is an artist I have always been incredibly inspired by, his unique characters and creations a huge inspiration for me. 
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Research Into Story 

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the story I have been given involves a woman named lorna, trapped in a reoccurring dream that eventually kills her. the episode originally appeared on fear on 4 on BBC Radio, as a part of the man in black stories.
my initial idea is to use that house in her dream as a main illustration, and the idea of empty dark space surrounding her.I would also like to use some more interesting colours and push the dreamlike idea, make the atmosphere seem as dreamlike and whimsical as I can.
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Thumbnails and design ideas

MAIN ILLUSTRATION 
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looking into the concepts of that house alone in a field, the house is described in very little detail, the only defining features that it stands alone in a plowed field, which inspired me to create a kind of farmhouse in a field.​from my main idea I was inspired by Andrew Wyeth's painting "Christina's world" and the idea of more vibrant but limited colour palettes.
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Developing and Experimenting with my Idea
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Creating and illustrating Final 

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CHAPTER HEADER
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I really wanted to look into this idea of the keyhole and doorknob. the kind you would find on an old farmhouse.
in much of the story lorna pends a lot of time trying to rattle and open the door so I thought he idea of that doorknob with a keyhole to look into would bean interesting idea to use.

​Creating and illustrating Final
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COVER 
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I wanted the cover to look quite ominous and dark, having the limit of only two colours was also a challenge so I wanted to stick to dark but bold and contrasting colours.

​Creating and illustrating Final

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